With both engines screaming at 7,000 rpm, one car staged and the other about to be, the table was set for Annie Whiteley. Then she rolled in, the Tree flashed, opponent Shane Westerfield streaked for the finish line in the left lane, and she sat there flat-footed at a dead idle in the right.
“All four lights were on, and … I have no idea why … it just didn’t register that I was staged,” Whiteley said. “I thought, What the hell’s going on here? Why isn’t your foot going down on the throttle?’ Shane was seven cars out ahead of me and I hadn’t even left yet. I thought, ‘Come on [Westerfield’s] blower belt – break. Please break.’ It didn’t. Of course. I took off after him, but eventually it got to where even if it broke I was never going to catch him.”
Until then, everything was going according to schedule for Whiteley’s J&A/YNot Racing team. She’d qualified in the top four at the original supertrack, the Texas Motorplex, as she has in 80 percent of her starts this year. She’d knocked off one of Top Alcohol Funny Car’s top young drivers, Hunter Jones, despite his great light (.027) and solid run (5.54), outperforming him with a perfectly fine .061 light of her own and a superior 5.47 that just missed Low E.T. of the Meet at a booming 268.29 mph that fell just short of Top Speed.
“The car was running good,” Whiteley said. “We ran a .49 in qualifying, which just shows that [crew chief] Mike [Strasburg] and the guys are onto a tune-up for places like this. We got back after that run and Mike said, ‘We might’ve just figured something out. I think I know how to get down these hot tracks.’ “
Then came the quarterfinals and an abrupt, bizarre end to what had been a great weekend. “This sucks,” Whiteley said. “We were doing so well. Then Shane was so far out there that I was like, ‘Why are you so far ahead of me? And why the hell am I still on the throttle?’ “